Sabtu, 16 Februari 2013

[K720.Ebook] Ebook Download Feminism and Geography: The Limits of Geographical Knowledge, by Gillian Rose

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Feminism and Geography: The Limits of Geographical Knowledge, by Gillian Rose

Geography is a subject which throughout its history has been dominated by men; men have undertaken the heroic explorations which form the mythology of its foundation, men have written most of its texts and, as many feminist geographers have remarked, men's interests have structured what counts as legitimate geographical knowledge. This book offers a sustained examination of the masculinism of contemporary geographical discourses.

Drawing on the work of feminist theories about the intersection of power, knowledge and subjectivity, different aspects of the discipline's masculinism are discussed in a series of essays which bring influential approaches in recent geography together with feminist accounts of the space of the everyday, the notion of a sense of place and views of landscape. In the final chapter, the spatial imagery of a variety of feminists is examined in order to argue that the geographical imagination implicit in feminist discussions of the politics of location is one example of a geography which does not deny difference in the name of a universal masculinity.

  • Sales Rank: #5148306 in Books
  • Published on: 1993-08-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.84" h x .59" w x 7.87" l, 1.00 pounds
  • Binding: Hardcover
  • 216 pages

Review
'It's very personal, very courageous, and very challenging.' Derek Gregory, Professor of Geography at the University of British Columbia

'.subtle and sophisticated.this is an important book.' The Geographical Journal

'This is an important book in the development of feminist geography.' Geography

'... A greatly needed assessment of recent work influenced by the fertile connections between feminism and geography.' Progress in Human Geography

From the Back Cover
Geography is a subject which throughout its history has been dominated by men; men have undertaken the heroic explorations which form the mythology of its foundation, men have written most of its texts and, as many feminist geographers have remarked, men's interests have structured what counts as legitimate geographical knowledge. This book offers a sustained examination of the masculinism of contemporary geographical discourses.

Drawing on the work of feminist theories about the intersection of power, knowledge and subjectivity, different aspects of the discipline's masculinism are discussed in a series of essays which bring influential approaches in recent geography together with feminist accounts of the space of the everyday, the notion of a sense of place and views of landscape. In the final chapter, the spatial imagery of a variety of feminists is examined in order to argue that the geographical imagination implicit in feminist discussions of the politics of location is one example of a geography which does not deny difference in the name of a universal masculinity.

About the Author

Gillian Rose is Professor of Cultural Geography at the Open University

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Jumat, 15 Februari 2013

[I364.Ebook] Ebook Free Grimoire for the Green Witch: A Complete Book of Shadows, by Ann Moura

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Grimoire for the Green Witch: A Complete Book of Shadows, by Ann Moura

The author of the popular Green Witchcraft series presents her personal Book of Shadows, designed for you to use just as she uses it-as a working guide to ritual, spells, and divination. This ready-made, authentic grimoire is based on family tradition and actual magical experience, and is easily adaptable to any tradition of Witchcraft.

Grimoire for the Green Witch offers a treasury of magical information- rituals for Esbats and Sabbats, correspondences, circle-casting techniques, sigils, symbols, recitations, spells, teas, oils, baths, and divinations. Every aspect of Craft practice is addressed, from the purely magical to the personally spiritual.  It is a distillation of Green practice, with room for growth and new inspiration.

2004 COVR AWARD 1ST RUNNER-UP

  • Sales Rank: #6778 in Books
  • Brand: Unknown
  • Published on: 2003-09-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.04" h x .90" w x 8.04" l, 1.88 pounds
  • Binding: Paperback
  • 360 pages
Features
  • Grimoire for the Green Witch: A Complete Book of Shadows

About the Author

Ann Moura has been a practitioner of Green Witchcraft for over forty years. She holds both a B.A. and an M.A. in History. Moura lives in Florida where she runs her own metaphysical store, presents public rituals, and teaches classes on the Craft. Visit her online at www.annmourasgarden.com or at www.lunasolesoterica.com.

Excerpt. © Reprinted by permission. All rights reserved.
1
Green Witchcraft
Creed of the Green Witch
The Sacred Tradition of Green Witchcraft
The Goddess & the God
Family Practice
The Litany
The Rules of Conduct
The Three Styles of Green Witchcraft
Sabbats: The Wheel of the Year
Quarters & Cross-Quarters
Calendar of Observances
Ground & Center ― Grounding
Ritual Components ― Ritual Robe Colors
Craft Names ― Names of the God & Goddess
Symbols & Signs ― The Magical Container
Basic Tools ― Basic Materials
Altar Arrangement
Magical Pointers
Alphabets ― Coven Terms ― Craft Terms

Creed of the Green Witch
I Acknowledge the Unity of the Divine, symbolized by the Divine Androgyne, aspected as female and male, Goddess and God, form and energy, lunar and solar powers, honored during the Wheel of the Year at Esbats, Sabbats, and sacred days.

I Acknowledge the immanence of the Divine, whose Spirit resides in all things and worlds, creating a unity of All in Oneness and kinship through the Goddess and the God.

I Acknowledge that the Elementals Earth, Air, Fire, and Water are extensions of the Goddess and the God, both external and indwelling kith and kin, connecting all through Spirit.
I Acknowledge the immortality of the individual spirit, comforted by the God in Underworld, refreshed by the Goddess in Summerland, choosing incarnation by form, place, and soul purpose.

I Acknowledge that the God lovingly demonstrates the life cycle in His yearly passage through the Sabbats. He is born as the Oak King of the Goddess as Mother at Yule; cleansed and carried by the Crone into the arms of the Mother at Imbolc to be nourished by the milk of Her love. At
Ostara, the Goddess transforms as Maiden and joins the God that They may walk as the Lady and the Lord of the Wild Wood to awaken the Earth from the sleep of Herself as Crone of Winter.
The God and Goddess unite at Beltane to bring renewal to the Earth, and at their Litha wedding, the God shows His face of wisdom and age, turning from Oak King to Holly King as He begets Himself of the Goddess. At Lughnassadh, the God enters into the Goddess aspected as Mother Earth, filling Her abundance with the life essence of His solar energy. He enriches
the vines and barleycorn with the essence of His Spirit at Mabon. He enters into Underworld, leaving the Goddess alone as Mother-to-be and Crone through Autumn and Winter, while He leads the Wild Hunt as the Horned Hunter, gathering the dead to His realm. He rules Underworld as the Lord of Shadows, where He offers rest, solace, and release of burdens to spirits at
the end of each incarnation. At Samhain, the God passes His Spirit through the Goddess, making thin the veil between the worlds by their union of shadow and light, turning the Tomb of the Crone into the Womb of the Mother. At Yule the God as Sage offers His blessing and farewell to the children of the world, then turns His face to join them as the Infant Oak King
reborn. Through the Wheel of the Year is the path of perfect love and perfect trust in the Divine demonstrated, that we may walk with the Goddess and the God in the bond of love.

I Acknowledge the three great Mysteries: the Ancient God as Father and Son; the Maiden Goddess as Mother and Crone; and the Union of Tomb and Womb for the eternal cycle of Life Immortal.

The Sacred Tradition of Green Witchcraft
The Green Tradition of Witchcraft sees the aspects of the Divine All as separate and united as Goddess, God, and Both. The One who is All matches all being from the One. The forms of The Lord and the Lady are interlinked and interchangeable: Father Sky and Mother Earth/Sky
Goddess and Earth God; Sun and Moon; Triple Goddess and Wed to the Triple Goddess; Threefold God and Wed to the Threefold God; Lord and Lady of the Greenwood; Lord of Abundance and Lady of Plenty; Queen of the Stars and King of the Universe; Creator and Creatrix, Spirit and Matter; Life and Passage; and Cosmic Dancers of Energy and Matter.

The Creative Forces of Nature are revered, with the Goddess and the God symbolizing the Universal Materials and Energies from which comes all existence. The God and the Goddess are equal and omnipresent, for They are found throughout the Universe, the Earth, and all that dwell therein. Because it is the Spiral Dance of Rebirth that brings us back to the Source
of our existence in the Goddess and the God, reincarnation and communication with spirits are accepted parts of the religion.

Knowledge is the gift of the Goddess and the God, learning through many lives on Earth and keeping close to Them. Magic is a natural means of working with natural energies to accomplish a goal, and this magic becomes part of natural life for the practicing Green Witch. Consciousness may be altered through visualization, meditation, ritual, music, and dance to better commune with the Divine and effect the magic. Through Dedication, the pathway to communication is constantly open, so altered states cease to be necessary for contact with the Divine in Nature, only inner stillness and balance.

Freedom of the individual and personal responsibility are key aspects of Green Witchcraft. The liturgy may be created as needed or desired, for the magic will naturally flow with the acceptance of oneness with the All and with self-responsibility in our living.

Immanence, interconnection, and community are three core principles of Witchcraft. Because the God and the Goddess are manifested in all life, all existence is connected to be one living cosmos. The focus is on the growth of the whole through care for the Earth, the environment, and each other. The mythology of the Lord and the Lady revolves around two themes in the Wheel of the Year―that of Fertility and Passage of the Seasons; and that of the Divine Life Cycle of the God, often related in allegory to the changing of the seasons. Thus, the sacrificed god motif can be found in the Corn (Wheat) Cycle, wherein the God willingly gives His life-force into the crops at the time of marriage that humanity may be sustained, thus relating the Divine to life and Rites of Passage.

The Triple Goddess is the Maiden, Mother, and Crone (Matron), whose consort is the Horned God, the Creator, Destroyer (Hunter), and Lord of the Beasts. All Nature has both positive and negative aspects, and to be reborn, one must first die. The Goddess is seen as both life in Her form as Mother and as death in Her form as Crone, yet both are the same. Death is a natural passage to new life and is not feared or labeled as evil. With Nature there are both pleasant aspects and harsh aspects, but this is all part of the reality of the energy that flows in the Earth, the Universe, and the beings of the Earth. The transition of the spirit through incarnations is not
feared, but understood and accepted as natural, for life is eternal, and all spirits are immortal.

Attuning to the God and the Goddess changes one forever―sparks new hope for the individual and for the planet. Personal destiny is in the hands of the practitioner. The Dark Aspects of the God and the Goddess―Lord of Shadows and Crone―as well as the Bright Aspects―Horned God and Maiden/Mother―are accepted. The Divine is both Creation and  Destruction; Abundant Nature and Destructive Nature. Since all life is joined in the Dual Deity, the Two Who Are One, and to each other, life cannot be destroyed, only changed or moved into and out of the cauldron of life. The religion then is the worship or reverence of the Life Force represented in the
Dual Deity as a Conscious Unity. This reverence may be expressed through ceremonies or rituals dedicated to cycles of fertility, of planting and harvest, and of solar and lunar phases. The Esbats are Rituals of the Full Moon, New (Dark) Moons―times to receive learning from the
Goddess. The Sabbats are composed of four solar festivals, called the Lesser Sabbats or the Quarters, and four agricultural festivals, called the Greater Sabbats or the Cross-Quarters. These are the main focus of ritual in the Green Tradition, along with Twelfth Night (Naming Day). The names by which the Lord and the Lady are addressed are not important, for They are One by whatever Names They are known, and They dwell within. They give life to be lived fully and with enjoyment, and we are reborn to learn until we are reunited with Them. Because people are of the Earth, She should be revered. The Green Witch knows of the connection of all things, the immortality of life, and draws upon the Power of the Divine directly, or through the Elementals of Earth, Air, Fire, and Water, or such spirits, devas, and Other People as may be helpful. The Elementals are the Kith and Kin of the Green Witch, for body and strength are of Earth, breath and thought are of Air, energy and drive are of Fire, and emotions and vital fluids are of Water. In olden days, The People learned in the ways of the Old Religion were called Wicce―voiced in the Middle English speech as Weetch’ie―meaning Wise, and the use of that wisdom was called the
Craft of the Wise―WicceCraft, from whence comes the word Witchcraft. The Green Tradition of Witchcraft sees the Practice of the Craft as spirituality, and holds the word Witch as honorable and  spiritual.

The Goddess & the God
Because the Divine is One, the aspects of the Divine may interchange roles. Either the Lady or the Lord may represent the Sun, Moon, Grain, Harvest, Waters of Life, Universe, Sky, Earth, Life, Death, Passage, Resurrection in Body and/or in Spirit. The Lady and the Lord symbolize female and male fertility. They are both Power and Passage, honored with rites of burning lamps, candles, and torches; with salt and water, bread and wine, and flowers and grain. They both represent the passing of the seasons through solstices and equinoxes―the Lesser Sabbats of the Quarters―as well as through the cycles of harvest from preparation to planting to tend―the Greater Sabbats of the Cross-Quarters. In the harvest Sabbats, the Lord is the Sun, and the Lady is the Earth, culminating with the energy of the Sun entering the life supporting grains of the Earth, and giving the spirit of life into the fruits of the vines that refresh us. The Lady is most related to the Lunar phases―the Esbats of the Full Moon and New Moon [last waning crescent], as well as the Esbats of the Dark Moon, Blue Moon, and Sidhe Moon.

The Lord is Oak King from Yule to Litha, and the Holly King from Litha to Yule. He is Sun King and Lord of Shadows, Hunter and Greenman, Lord of the Wildwood, of Animals, and of the Fields, the one who collects the spirits who seek passage through the Goddess into new life.

The Lady is the One Who Transforms, the Changer. It is through her that the Lord dies, passes to Underworld, then is reborn. She changes, but is never-ending, and she is both Crone and Mother at the same time, thus her Tomb is also the Womb. It is through her that the spirit travels from death into new life, through her Cauldron of Rebirth.

Family Practice
Through each generation, the Green Craft adjusts and changes to meet the needs and inclinations of the Green Witch, just as Nature changes and alters to meet the needs of life’s movement. Here lies the basic core of Green Witchcraft for future generations of my family and anyone I, or they, might reach and for whom this Craft holds resonance and brings joy. May this
Craft grow with future generations as they enlarge upon it through their explorations of the vastness of the Power, guided always by the loving Lady and Lord, and by the kindness of the Elementals, who are the Cardinal Emanations of the Divine: Earth, Air, Fire, and Water joined with our Spirit that is of Divine essence. We are One. The family tradition honors the Goddess at Lunar phases of the Esbats and she is seen as the Goddess of the Moon and the Earth. The God is honored at Solar phases of the Sabbats and is seen as the God of the Sun and the Earth.

The Goddess of my family is Bendidia, or Bendis, the Thracian Goddess of the Dark Moon. She holds a twig in her hand to show the way to Underworld, and hence to new life. She is the Goddess of Magic, Secrets, Occult Wisdom, and is the ancient Goddess of Witches. But She is also the Goddess by any name, and is the Triple Goddess of Maiden, Mother, and Crone.

The God of my family is Shiva, but He is also the God by any name, and is the Triple God of Youth, Father, and Sage identifiable with Dionysus, Cernunnos, Frey, and Herne. He dances within a ring of fire, sits upon a dais, horned and surrounded by animals wild and domestic, and sits upon a tiger skin in meditation, being the Lord of the Cosmic Dance, Lord of Beasts,
Lord of the Wildwood, and Lord of the Harvest. He is Horned Hunter, Greenman, Lord of Light, Lord of Shadows, and Wed to the Triple Goddess.

The Litany
The Goddess and the God are One
Life is a Gift to Enjoy
I am part of the Earth and revere Her
I am connected to all things and the Power therein
I am one with the All and the All is within me
I am kith and kin to the Elementals, aspects of the Divine
I learn from the Goddess and the God, Nature, and Meditation
I follow the Rules of Conduct as passed down to me

The Rules of Conduct
1. Be careful what you do.
2. Be careful who you trust.
3. Do not use the Power to hurt another, for what is sent comes back.
4. Never use the Power against someone who has the Power, for you
draw from the same well.
5. To use the Power you must feel it in your heart and know it in your
mind.
[Words repeated through my maternal line since 1890.]

The Three Styles of Green Witchcraft
GREEN PRACTICE AS FOLK ARTS
This approach to the Green Craft comes under the umbrella of a mainstream religion: practicing the Craft is to work magics using the new names of the deities of power, and celebrate the traditional holidays with the understanding of their Pagan originals. Folk Art Witches may invoke the Power as the energies of deities, angels, saints, and the Holy Spirit, and may adapt other cultural images into their practice.

GREEN PRACTICE AS PERSONALMAGICS
This variety of Green Craft as a Natural Witchcraft elevates the Mannuz (Mahn-NU or the Human; Runic Mannaz; the Self) to union with the Universe, enhancing the personal power of the Witch through the energies of herbs and natural objects and directing this to accomplish a goal. Ritual, magical tools, and conscious spellwork functions through the Elementals, and a Grimoire is created to codify tables of magical correspondences for a successful practice. Religion plays no part, save as the Witch and the Unnamed All work together through Nature with honesty, instinct, and intuition.

GREEN PRACTICE AS RELIGION
This type of Green Craft identifies the Goddess and the God in partnership with the Witch through a self-initiation for introduction and learning, and later by complete union in a selfdedication. As a religion, magic is often directed through personal communion with the God and the Goddess, identified as male and female in balance. There are rituals of religious observance
including Sabbats and Esbats, and special days honoring aspects and manifestations of the Divine throughout the Wheel of the Year.

Sabbats: the Wheel of The Year

YULE ― WINTER SOLSTICE [12/21]
1. God as Oak King is born of the Goddess.
2. God as Holly King prepares to depart.
3. Goddess is Mother of the Sun God.
4. Goddess is Crone of Winter.

IMBOLC ― PURIFICATION AND FIRE [2/1]
1. Goddess is cleansed and purified.
2. Milk flows for lambs and for the baby God.
3. Quickening of the Earth.
4. Goddess is preparing to return to Maiden.

OSTARA ― SPRING EQUINOX [3/21]
1. Goddess is Maiden/brings Spring.
2. God and Goddess encourage animal fertility.

BELTANE ― FERTILITY AND FIRE [5/1]
1. God Youth and Goddess Maiden unite in love.
2. May Day flowers, romps, and bonfires.

LITHA ― SUMMER SOLSTICE [6/21]
1. God turns from Youth to Sage.
2. Marriage of God to Goddess.

LUGHNASSADH ― BREAD HARVEST [8/1]
1. God enters the Earth in marriage, giving his energy into the grain; now
his body.
2. First Harvest/Bread Harvest―grains.

MABON ― AUTUMN EQUINOX [9/21]
1. God gives his spirit into the vines, fruit, and barleycorn, wine, cider,
whiskey, beer, and mead are now his blood―He rules Underworld.
2. Goddess alone and pregnant with the God.

SAMHAIN ― DEATH AND REBIRTH [10/31]
1. God within the Goddess, yet also Leader of the Wild Hunt.
2. Veil between the worlds at its thinnest, Crone and Hunter [Lord of
Shadows] reign together.

WHEEL OF THE YEAR
quarters & cross-quarters

QUARTERS ― GREEN [LESSER] SABBATS
Yule ― Winter Solstice [12/21]
1. God is born of the Goddess.
2. Goddess is both Mother and Crone of Winter.
Ostara ― Spring Equinox [3/21]
1. Goddess is Maiden/brings Spring to Earth.
2. God and Goddess encourage fertility of Earth.
Litha ― Summer Solstice [6/21]
1. God turns from Youth to Sage/Oak to Holly King.
2. Marriage of God to Goddess.
3. Holly King impregnates Goddess with Oak King.
Mabon ― Autumn Equinox [9/21]
1. God gives his blood into the vines.
2. Goddess alone and pregnant with the God.

CROSS-QUARTERS ― WHITE [GREATER] SABBATS
Samhain ― Death and Rebirth [10/31]
1. God within the Goddess/tomb becomes the womb.
2. Veil between the worlds is thinnest.
Imbolc ― Purification and Fire [2/1]
1. Milk flows for the baby God as Oak King.
2. Quickening of the Earth.
Beltane ― Fertility and Fire [5/1]
1. God and Goddess unite in love.
2. May Day romps and bonfires/fertility encouraged.
Lughnassadh ― Bread Harvest [8/1]
1. God enters the Earth in marriage, giving his body to be the grain.
2. First Harvest―grains.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Lovely
By becca
So far I really like this book. The chapter for recitations is unique and the section on the Sabato is quite helpful. It is much bigger in real life than you think. And there is all kinds of resources sprinkled throughout. This BOS is a great resource but I would not recommend it for very new beginners, as it may be overwhelming. But I think it's a good starting point for anyone accumulating tools.

2 of 2 people found the following review helpful.
Fabulous and helpful for anyone interested in correspondences and symbols.
By Emily
This is possibly my favorite witchy book. There isn't a lot of "beating around the bush" and it really jumps right into it. This is my go-to book to look up correspondences and symbols (especially helpful in sigil-making.) There is a ton of information jammed into this book and I love the way it has worked its way into my regular references. Hands down favorite "grimoire" style witchy book in my collection.

27 of 29 people found the following review helpful.
Not for beginners
By Lomion
This book is divided into two sections; each section is divided into "parts" and there is no index.

I had a little trouble getting started on this book, I had to take a break from it several times before I was able to get through the first section which seems to have a "do it this way" feel that I didn't care for however this may just be my impression and some readers may like that approach. Also the book doesn't have the "nature lover" or "tree hugger" feel that I expected from the title, but this is neither good nor bad.

The second section contains a wealth of information that in my opinion makes the book worth the price; however I was unable to determine what rune set she has used. It does not seem to be the "Elder Futhark" or Germanic runes that is most commonly used, nor does it appear to be Danish runes, Swedish-Norse runes, Angle-Saxon runes, or Seax-Wica runes. She has used short name or abbreviations for some runes, and may simply have listed them in an unfamiliar order.

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Selasa, 12 Februari 2013

[H119.Ebook] Download PDF Alexander the Great (Norton Library (Paperback)), by Ulrich Wilcken

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Alexander the Great (Norton Library (Paperback)), by Ulrich Wilcken

Here is one of the great biographies of Alexander, in its original form, brought fully up to date with findings of modern research and criticism.

The Norton edition of Ulrich Wilcken's distinguished biography has made available for almost three decades a classic study enhanced with a modern scholars notes, bibliography, and introduction to Alexander studies. Alexander the Great as an empire-conqueror continues to capture the imagination, but the spread of Greek civilization throughout the world was his greatest legacy. Wilcken's book captures Alexander's true achievements and influence.

  • Sales Rank: #1459243 in Books
  • Published on: 1967-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .80" w x 5.60" l, 1.16 pounds
  • Binding: Paperback
  • 400 pages
Features
  • ISBN13: 9780393003819
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From the Back Cover
Here is one of the greatest biographies of Alexander, in its original form, brought fully up to date with the findings of modern research and criticism.

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0 of 0 people found the following review helpful.
Five Stars
By el
Excellent

3 of 3 people found the following review helpful.
Classic Study
By Roger Kennedy
This is a smoothly done work. The author, a product of the older German school of history, has been expertly translated here. This book reads easily, and the reader quickly gets swept up into the interesting and insightful text. This a fairly straight-forward bio of Alexander. Those wanting to know his sexual escapades should consult more modern works. Here such is only hinted at.

The main stength of this book seems to be its comparative analysis. The author shows how Alexander evolved in his strategy of conquest. He is also skillful at showing how he managed his various titles as ruler, being Hegemon to the Greeks, and Divine King to the Asiatics. There is limited discussion of the great battles of Alexander, although reference is made to the Oblique Order which he developed from Epamiadas of Thebes. The early chapter concerning Philip also sheds light on his accomplishments and how they would influence his son.

The concluding chapters discuss the legacy of Alexander. Useful reference is made to how Caeser planned to model his three year campaign of conquest on Alexander in the East before he was assassinated. Tthe legacy of Alexander with the Romans is also interesting. There is also a good deal of how the Diodachi Succession wars developed, and how these various rulers spread Hellanism throughtout their empires. Alexander can be seen on many different levels. He is many things to different people. Here we find a pretty unbiased account, which is on the whole favorable toward his accomplishments and deeds. Readers more familar with recent bios may wish to consult this work to get a clear, concise and uncluttered account.

14 of 16 people found the following review helpful.
A good general introduction to Alexander.
By A Customer
I have read a number of books on Alexander the Great and finally decided to read Wilcken's biography on Alexander since it is cited in so many other works. While the book covers all the high points and is generally favorable in its treatment and view of Alexander, it fails to give any real detail about the man, his life or his military exploits. If you know little of Alexander you will find the highpoints here. If you are looking for something new, the only information that I had not seen before was the author's speculation about Alexander's future plans; and the author's discussion of the legacy of Alexander. There is an interesting discussion in the introduction about earlier Alexander biographies.

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Jumat, 08 Februari 2013

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Winsor Pilates 7-DVD Set: Basic 3 DVD Workout Set; Power Sculpting with Resistance; Advanced Body Slimming; Upper Body Sculpting; Bun & Thi

  • Sales Rank: #4397462 in Books
  • Published on: 2002
  • Binding: DVD-ROM

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This series explores Earth's solar system as well as galaxies, stars, and other objects in space. Each book reflects the latest research and will teach readers basic scientific principles that aid in understanding the workings of the universe.

  • Sales Rank: #1457245 in Books
  • Published on: 2009-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .31" h x 7.52" w x 8.58" l, .50 pounds
  • Binding: Library Binding
  • 48 pages

From Booklist
*Starred Review* Like a young star maturing into a red giant, the True Book: Space series shines brighter the older it gets. The glossy covers and dazzling photos that have become True Book hallmarks are especially well matched with the breathtaking panoramas of outer space, and the text emerges victorious against difficult concepts. The Solar System begins with a lineup of the usual suspects (yes, Pluto is off the hook). The way the chapters move from inner to outer planets is no surprise, but the called-out details are cunningly illustrated and plenty fascinating (for instance, the alleged interstellar impact that might have knocked Uranus on its end). Short but solid back matter closes out these impressive offerings. Grades 3-5. --Daniel Kraus

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0 of 0 people found the following review helpful.
Great Solar System Informational Book, Great Seller service and shipping timeliness.
By studentagain
My 2nd graders loved the different text features within this book. The graphics, tables, and illustrations captured their attention. This book can be read throughout the week to explore all the information given. Worth the investment. Book arrived in great condition and in a timely manner.

0 of 0 people found the following review helpful.
Very helpful
By Amazon Customer
I bought this book for my 8 year old son's planet project. It is full of useful information, facts and pictures.

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The fascinating tale of Kubrick’s unfilmed masterpiece

Now available in an unlimited, single-volume edition!

For 40 years, Kubrick fans and film buffs have wondered about the director's mysterious unmade film on Napoleon Bonaparte. Slated for production immediately following the release of 2001: A Space Odyssey, Kubrick’s "Napoleon" was to be at once a character study and a sweeping epic, replete with grandiose battle scenes featuring thousands of extras. To write his original screenplay, Kubrick embarked on two years of intensive research; with the help of dozens of assistants and an Oxford Napoleon specialist, he amassed an unparalleled trove of research and preproduction material, including approximately 15,000 location scouting photographs and 17,000 slides of Napoleonic imagery. No stone was left unturned in Kubrick's nearly-obsessive quest to uncover every piece of information history had to offer about Napoleon. But alas, Kubrick’s movie was not destined to be: the film studios, first M.G.M. and then United Artists, decided such an undertaking was too risky at a time when historical epics were out of fashion.

TASCHEN’s tribute to this unmade masterpiece makes Kubrick’s valiant work on "Napoleon" available to fans for the first time. Based on the original 2009 limited edition which featured ten books hidden inside of a carved out reproduction of a Napoleon history book, this publication brings all the original elements together in one volume. Herein, all of the books from the original edition are reproduced in facsimile: correspondence, costume studies, location scouting photographs, research material, script drafts, and more. Kubrick’s final draft is reproduced in its entirety.

The text book features the complete original treatment, essays examining the screenplay in historical and dramatic contexts, an essay by Jean Tulard on Napoleon in cinema, and a transcript of interviews Kubrick conducted with Oxford professor Felix Markham. The culmination of years of research and preparation, this unique publication offers readers a chance to experience the creative process of one of cinema’s greatest talents as well as a fascinating exploration of the enigmatic figure that was Napoleon Bonaparte.

*Includes access to searchable/downloadable online research database: Kubrick's complete picture file of nearly 17,000 Napoleonic images*

  • Sales Rank: #879119 in Books
  • Brand: Brand: Taschen
  • Published on: 2011-04-01
  • Original language: English, French, German
  • Number of items: 1
  • Dimensions: 13.80" h x 3.00" w x 8.75" l, 9.96 pounds
  • Binding: Hardcover
  • 1112 pages
Features
  • Used Book in Good Condition

Review
"You have to see it to believe it, which is appropriate when you consider Kubrick's obsession... it could be that the project has found its perfect home as the most grandiose book ever made." (New York Magazine)"

About the Author

Alison Castle received a BA in philosophy from Columbia University and an MA in photography and film from New York University (NYU/International Center of Photography masters program). She is the editor of titles on photography, film, and design, including Some Like it Hot and The Stanley Kubrick Archives.

Most helpful customer reviews

33 of 35 people found the following review helpful.
A rather insane volume containing a great story
By Z.M. Thoneridge
Ten books inside this massive green behemoth tell and illustrate the story of how Kubrick attempted to make this period epic for MGM right after 2001: A Space Odyssey. But a cash crunch in Hollywood at the end of the 60's, 2001's not-blockbuster numbers, and a flop from DiLaurentis called Waterlloo convinced MGM to pull out. The production was shelved, stored by Kubrick on his farm, where it sat until recently. Finally his estate has decided to revive this treasure trove of research, scriptwriting, costume planning and location scouting to a small monument of books filled with terrific historical text, photos of archived notes and correspondence, photographs, production details and techniques, and the final script. It's a movie in a box, waiting to be made. Serious, scholarly discussion of the subjects complement an embarrassment of photographic riches to fill up this beautiful, one of a kind volume for serious study of the process of independent film production. The product design of this monster is one-of-a-kind. It's worth every penny.

23 of 27 people found the following review helpful.
Extraordinary
By Tom Lavagnino
I'm a Kubrick nut. If you're also a Kubrick nut, you will find NAPOLEON endlessly fascinating -- the literary equivalent of an ten-course meal at a five-star restaurant at the best restaurant you could ever possibly formulate in your imagination. Despite its cost, this publication does not disappoint. And what's fascinating to me is that -- despite NAPOLEON's comprehensiveness, from a "macro" standpoint -- a studious reader garners true, unbridled insight into the quotidian methodology of Kubrick's wholly astringent sensibility. This is thanks to the exhaustively collected (and beautifully reproduced) letters and memos (both from and to Stanley) and -- even more significantly -- the "hand-written annotations" that appear, throughout the material, in Kubrick's own hand. Particularly given the time-frame during which the bulk of this material was created -- in the immediate aftermath, for the most part, of 2001 -- it's fascinating to witness the means by which Stanley was leveraging his success (to ostensibly actuate his dream project), and the extent to which his reach occasionally (and ultimately) exceeded his grasp. Kubrick's insight into the workings of the Hollywood studio system is also on evidence; viz., there's a full draft of the NAPOLEON screenplay included, but the script's (somewhat schematic) side-stepping of the contemplated scope of the more ambitiously contemplated battlefield-centric production sequences (for example : Wellington appears, in the climactic clash, but has nary a line of dialogue) subtly suggests Kubrick's savvy insofar as making the project as financially palatable as possible to Hollywood's powers-that-be. As mentioned by other reviewers, the ancillary "costuming," "production design," and other magnificently-reproduced photographic volumes add immesurably to the experience. I spent a full weekend plumbing this thing, and it was a weekend well spent (and one I look forward to undertaking again, at some point in the future) (as with future viewings of Kubrick's masterpieces).

20 of 25 people found the following review helpful.
Not Designed for Stanley
By Gabriel
In this book one can pore over Stanley Kubrick's personal correspondences as well as the screenplay, saying nothing of the 100's of photos. The content is incredible.

Stanley Kubrick's passion for research, beauty, and functional organization is no secret. It is ironic and unfortunate, that this book was incredibly well researched, meticulous in what was put in (and left out), well organized, but was printed in an odd format, in a way that stifles clear communication of the book's own content. It was not formatted for function, but for concept.

The volume is over 1000 pages yet uses a distinctly vertical format to feel like a book from the Napoleon era. The pages curl tremendously towards the center, and the text documents within the book fan out from the binding of the book, for that feel of actually looking through originals. Unfortunately, the information close to the center of the book becomes so curved due to the book's size that the reader has to angle their head or move the book to read (particularly around page 500). The hundreds of sequential photos do not read well across a vertical format; they are just over an inch wide and unclear. Often these images are of etchings from napoleons era, an art form whose beauty resides in the details.

I get the conceptual appeal of the book format. It looks nice on my coffee table. It just needed to be a much bigger book to feel clear, or in another format to properly use.

Instead of focusing on the type of BOOK that was produced in the napoleonic era, it would have been much more pleasurable for the reader, to design the format of the book around the FILM Stanley Kubrick designed. Stanley wasn't going to film Napoleon in the common aspect-ratio of prints and paintings from the Napoleonic era. He was going to film it in the clearest way possible to show us the Napoleonic era itself. Sweeping vistas of armies, their patterns of war, and the european countryside might have been just as central a tenet to this film as Napoleon himself. Despite having excellent content, Castle's take on Napoleon doesn't give us enough room to properly enjoy it.

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  • Original language: French
  • Number of items: 1
  • Dimensions: .39" h x 6.89" w x 9.45" l,
  • Binding: Paperback

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