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For undergraduate courses in Evolution

 

By presenting evolutionary biology as a dynamic, ongoing research effort and organizing discussions around questions, this best-selling text helps you think like a scientist as you learn about evolution. The authors convey the excitement and logic of evolutionary science by introducing principles through recent and classical studies, and by emphasizing real-world applications.

 

In the Fifth Edition, co-author Jon Herron takes the lead in streamlining and updating content to reflect key changes in the field. The design and art program have also been updated for enhanced clarity.

• Sales Rank: #14515 in Books
• Brand: Brand: Benjamin Cummings
• Published on: 2013-08-22
• Original language: English
• Number of items: 1
• Dimensions: 10.90" h x 1.30" w x 8.70" l, 4.25 pounds
• Binding: Hardcover
• 864 pages

Features

• Used Book in Good Condition

About the Author
Jon Herron (University of Washington) is a dedicated teacher, author, and software developer. He is committed to improving how evolution is taught to today’s students, and he enjoys staying on top of the rapidly-changing field of evolution.

Most helpful customer reviews

47 of 49 people found the following review helpful.
Richly detailed overview of modern evolutionary thought
By GPC
I have used all three earlier editions of this text for my undergraduate 'Evolution' course (I am a college Professor of Biology) and have witnessed the various changes made over the years. The new version has updated much of the information on molecular evolution; the authors should be commended for their very thorough literature review. With the veritable explosion of research into evolutionary phenomena, this must be difficult indeed! The initial chapter on HIV still remains a wonderful introduction to your typically "human oriented" undergraduate and serves to generate interest in the topic early on. The phlogeny/evolutionary tree chapter was moved earlier to the "Introduction" part of the text; not sure why this was done. It was also nice to finally see mention made of reaction norms in the 'Adaptation' chapter (at last!), but there are still no examples of phenotypic plasticity from the vast botanical literature. The 'Evolution and Human Health' chapter is excellent for the medical student. Rather oddly, the important topic of speciation is near the book's end (Chapter 16) and glosses over the many fine examples from the plant evolution literature (polyploid speciation is virtually ignored, except for two paragraphs on p.159). My students are fascinated by the 'evolution of wheat' story, but don't look for that example of speciation here.

My primary complaint with this, and the preceding editions, is still the overwhelming amount of extraneous detail. How I wish I could use my editorial hand on this one! Does an undergraduate student really need over 20 pages on linkage disequilibrium? Are the final details of QTL mapping really necessary at this level of student education? Do we really need 4 pages on the 'fallacy' of the bell-curve (interesting advanced topic, but...) Also, there is an over abundance on phylogeny and systematics (useful for the future molecular systematist, but probably just confusing to the general biology major).

In any event, a great book, a little overwhelming, but well written and free of errors...I'll probably order the lastest (4th) edition anyway for the next 'Evolution' class...

39 of 41 people found the following review helpful.
Top notch evolution text for the undergraduate student
By Alan R. Holyoak
EVOLUTIONARY ANALYSIS (2nd ed) by Freeman and Herron hits the mark for an evolution text for the undergarduate student. It's not so thick that it's intimidating, but the contents cover the basics of evolutionary biology without being watered down.
The authors address topics of current interest (e.g., the evolution of HIV in Chapter 1) in drawing the student into the conversation about what evolution is, how it happens, and how you can demonstrate that it is happening.
Major sections of the book include the following:
1) An introduction to evolution: the HIV story, evidence for evolution, natural selection...
2) Mechanisms of evolutionary change: mutation, genetic drift, genetics, etc...
3) Adaptation: sexual selection, kin selection, social behavior, life history factors...
4) The History of Life: mechanisms of speciation, reconstructing evolutionary trees, origins and evolution of life through human evolution...
5) Current Research in Evolutionary Biology: development and evolution (a field that's really gaining momentum these days), molecular evolution, evolution and human health...
The authors touch all the important bases in this introductory text on evolution. The organization of material is logical, the tone is professional without being overbearing, there are many understandable examples, and the illustrations are excellent. Because of those factors, this new book appears to be a great text to teach from. There are wonderful reference texts out there about evolution, but most of them are not easy to teach or learn from. This book, however, helps students to learn, and provides ample material for instructors to use.
This is now my top choice for a textbook in evolution. This book is definitely worth 5 stars!
I hope this review was helpful to you.
Alan Holyoak, Dept of Biology, Manchester College, IN

11 of 13 people found the following review helpful.
Worth the price
By CJ foote
Looking at the price of this book you might precieve it as a bit expensive but don't be decieved. If you are taking an evolution course or just want to know about evolution, this is the easiest and most comprehensive read you can get. It has comprehensive chapters with page and chapter summeries and loads of examples. It made my course more enjoyable having it. If you're taking a course with this book, buy it. If you're taking another evolution course that deals with many concepts of evolution and even touches on the mathematics of genetics.....buy the book and read it.

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• Sales Rank: #5137523 in Books
• Published on: 1982-10
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 272 pages

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• Published on: 2009-04-29
• Binding: Hardcover

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[Q552.Ebook] Ebook Classical Fake Book, Second Edition (Fake Books)From Hal Leonard

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(Fake Book). A comprehensive reference for all classical music lovers, the second edition of this fake book features 250 pieces added since the last edition. Imagine having one handy volume that includes everything from Renaissance music to Vivaldi to Mozart to Mendelssohn to Debussy to Stravinsky, and you have it here! We have included as much of the world's most familiar classical music as possible, assembling more than 850 beloved compositions from ballets, chamber music, choral music, concertos, operas, piano music, waltzes and more. Featuring indexes by composer, title and genre, as well as a timeline of major classical composers, this encyclopedic fake book is great to use for playing and performing, but it's also a terrific resource for concert-goers, music students and music lovers. The chords of the harmony are indicated, and lyrics, in the original language, are included where appropriate.

• Sales Rank: #86611 in Books
• Brand: Hal Leonard
• Model: 240044
• Published on: 1992-03-02
• Released on: 1992-02-01
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 12.00" h x 1.52" w x 9.50" l, 2.90 pounds
• Binding: Plastic Comb
• 648 pages

Features

• 416 pagesSize: 12" x 9"ISBN: 793513294

About the Author
Founded in 1947, Hal Leonard Corporation has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time. We are proud to publish titles of interest to all musicians as well as music lovers, from songbooks and instructional titles to artist biographies and instrument price guides to books about the music industry and all the performing arts.

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44 of 45 people found the following review helpful.
Great Reference and source book for music students
By Clare Chu
This book is very comprehensive, and contains most of the major works of classical music. Since it is a fake book, it does not contain the complete score, but only the melody line with chords marked above the notes. The words/lyrics are included for the vocals, and double-stops where it appears in the original. Also, unlike some other fake books, the compositions appear in their original key. It is both an excellent reference to music appreciation students, concert goers and instrumental students as well as a source of material for beginning music students. Many of the themes can be used in student recitals.
The book is plastic tabbed bound, but since it is over 600 pages long it is somewhat difficult to get the pages placed flatly. It also does not feel like it would be that durable because both the plastic tabs may break, or the slots on the pages would easily be torn. The size of the notes is also smaller than most music books. But for the price paid, this book gives good value as there are over 850 classical themes and melodies in one place.

24 of 26 people found the following review helpful.
FUN!
By Karen Sampson Hudson
This book is a great pleasure. As a piano teacher, I've found that it provides fun for my young students. They can thumb through it and play page after page of marvelous classical melodies, incorporating their own chords. That's a great introduction to classical pieces which stimulates their interest in the original versions.
Some pianists may turn up their noses at the idea of a classsical fake book, but I'd point out that many of these pieces were originally written for orchestra, or--in the case of the older ones--for harpsichord, clavichord, organ, and so on. Some are taken from operas. Indeed, many of the classical works we use with our students are arrangements rather than ur-texts.
My students and I often laugh at the term "fake book"; especially for the keyboard players, these books would be more accurately named "creative books." The performer is called upon to provide his/her own harmony arrangements and rhythmic patterns. For talented musicians, "fake books" are a great opportunity for creative expression. That said, it must also be emphasized that students must have a strong foundation in piano basics, and that the teaching of ur-texts is vital for any student.
We love the "Classical Fake Book"---a hoot and a half! Highly recommended.

15 of 15 people found the following review helpful.
Everything you ever wanted to play
By Alaine Warfield
This is a fantastic book for people interested in playing themes from a wide range of classical music. Most of the selections are not very long but some, like my favorite Jesu, Joy of Man's Desiring, is long enough to play for a solo. I play harp at the bedside of the sick, so having these themes available in fake-book form allows me to easily create a scrapbook of selections. The chord format shortens the space that the music takes up. It also eliminates page turns. The music provided is advanced-beginner /intermediate: depending on your level of proficiency you can make the music as complex as you desire. Using the book, I can get to the heart of the themes of each piece without having to play lengthy movements.

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• Sales Rank: #9764106 in Books
• Binding: Paperback

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[D174.Ebook] PDF Download Frankenstein (Second Edition) (Norton Critical Editions), by Mary Shelley

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The best-selling student edition on the market, now available in a Second Edition.

Almost two centuries after its publication, Frankenstein remains an indisputably classic text and Mary Shelley’s finest work.

This extensively revised Norton Critical Edition includes new texts and illustrative materials that convey the enduring global conversation about Frankenstein and its author. The text is that of the 1818 first edition, published in three volumes by Lackington, Hughes, Harding, Mavor, and Jones. It is accompanied by an expansive new preface, explanatory annotations, a map of Geneva and its environs, and seven illustrations, five of them new to the Second Edition.

Context is provided in three supporting sections: “Circumstance, Influence, Composition, Revision,” “Reception, Impact, Adaptation,” and “Sources, Influences, Analogues.” Among the Second Edition’s new inclusions are historical-cultural studies by Susan Tyler Hitchcock, William St. Clair, and Elizabeth Young; Chris Baldrick on the novel’s reception; and David Pirie on the novel’s many film adaptations. Related excerpts from the Bible and from John Milton’s Paradise Lost are now included, as is Charles Lamb’s poem “The Old Familiar Faces.”

“Criticism” collects sixteen major interpretations of Frankenstein, nine of them new to the Second Edition. The new contributors are Peter Brooks, Bette London, Garrett Stewart, James. A. W. Heffernan, Patrick Brantlinger, Jonathan Bate, Anne Mellor, Jane Goodall, and Christa Knellwolf.

A Chronology and Selected Bibliography are also included.

• Sales Rank: #6299 in Books
• Brand: Brand: W. W. Norton Company
• Published on: 2012-02-29
• Original language: English
• Number of items: 1
• Dimensions: 8.40" h x 1.20" w x 5.20" l, 1.13 pounds
• Binding: Paperback
• 544 pages

Features

• Used Book in Good Condition

Amazon.com Review
Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image … but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates.

From School Library Journal
Grade 9 Up-Full-color drawings, photographs, and reproductions with extended captions have been added to the unedited text of Shelley's novel, thus placing the work in the context of the era in which it was written. The artwork faithfully represents the text and makes this edition appealing to reluctant readers. Unfortunately, many of the captions provide tangential information that, although interesting, interrupts the flow of the story. However, readers will quickly learn that it is not necessary to read every caption and appreciate this volume for its many quality illustrations.
Michele Snyder, Chappaqua Public Library, NY
Copyright 1998 Reed Business Information, Inc.

From Booklist
Gr. 8^-12. Part of the Whole Story series, this is the full text of Mary Shelley's classic gothic story, which was first published in 1818 and has been a wild success ever since. Philippe Munch's illustrations have none of the power of Barry Moser's unforgettable woodcuts that evoke the loneliness of the grotesque outsider (in the Pennyroyal edition published by the University of California Press in 1984). The design here is crowded, and the type is small. However, the many period prints and maps in color and in black and white, with long, detailed captions, do provide the historical setting for the story, its geography, customs, and ideas. Teens enthralled by pop versions of the myth as well as science fiction fans will be interested in going back to the full version of what has been called the first science fiction novel and learning about the circumstances under which it was written by a woman, just 18 years old, 170 years ago. Hazel Rochman

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184 of 195 people found the following review helpful.
Choose the 1818 version
By Jim Dollar
Most editions of Mary Shelley's landmark book available today follow the heavily revised 1831 version. The impulse behind this trend is an honorable one (to present what is seemingly an author's "final revision"),but the 1818 version is preferable for many reasons. Looking back on her creation in later life, Shelley felt obliged to alter the book's focus in significant ways, adding what critic Marilyn Butler accurately describes as "long passages in which her main narrator, [Victor] Frankenstein, expresses religious remorse for making a creature..." The author sought to make the 1831 edition less controversial and thereby more palatable to the tastes of the reading public. The 1818 version is closer to Mary Shelley's original intentions, though it too, unfortunately, was filtered through the sensibilities of her husband, the poet Percy Shelley, who took many of his wife's rather straightforward passages and rendered them into his own more ornate and Ciceronian style. Still, the 1818 version remains more vital, more original, and less constrained by what the author believed would be acceptable to readers in 1830s England.

215 of 237 people found the following review helpful.
A moving, disturbing, depressing, but also touching tale
By Ian Fowler
Much like Bram Stoker's "Dracula", Mary Shelley's "Frankenstein" is a story we all think we know, but really don't. Very few films have consciously attempted to follow the novel too closely (which shouldn't detract from the excellent James Whale/Boris Karloff film, or its masterpiece-sequel, "The Bride of Frankenstein). Thus, everything popular culture "knows" about "Frankenstein" does not originate from literature, but from films. This is a shame, in a way, because the novel itself is, if not the progenitor, an early vessel of so many archetypes found science fiction and horror.

The basic plot remained intact when transferred to other media. Swiss medical student Victor Frankenstein discovers the secret of life (which he never reveals, lest someone repeat the mistake). He then puts together a body, essentially a man, from various corpses. He then becomes horrified by the creature he has built, and abandons. The creature, suffering a great deal of neglect and abuse, still manages to get a thorough education, and learns of his lineage. After murdering Victor's younger brother, and framing the family maid, the creature tells his (admittedly) sad tale to his "father", and then demands a mate. Victor, in a panic, agrees, then thinks better of it at the last moment, destroying the new bride. In retaliation, the creature murders all of Victor's loved ones (including his wife), and leads Victor on a merry chase across the world.

Most probably know that Mary Shelley wrote this book in response to a challenge issued by Lord Byron, during a vacation at Lake Geneva. (Along with this story came John Polidori's "The Vampyre", the first English vampire novel.) Most probably also know that Shelley went on to write other works of imaginative gothic fiction. Still, her modern reputation rests with this book.

As stated, numerous archetypes (themes, plot lines, characters) are present here. The basic fear of what evil technology may bring along with the good is a central theme, as is the warning against playing God. So is the implicit admonition to be responsible in all things, be it during innovation or being a parent. The creature is, for all intents and purposes, an android-everyone from Gort to C-3PO owe their existence to the Frankenstein monster. And the monster that slays all but one protagonist is a staple of horror, be it traditional monster movies, like "Alien", or more realistic slasher movies like "Halloween".

But, as I noted at the beginning of this review, certain of these elements have been lost in most interpretations. The creature is actually intelligent, and well-spoken, quite different from the inarticulate grunts or slow, half-sentences of the movies. Further, while the films have made lightening a staple of the creatures creation, Shelley never really explains the process. Finally, one of the staples of the films is the explanation for the creatures "evil" nature. Often, the problem lies with the brain used, which almost invariably is a criminal brain, or is damaged before implantation. In the book, the creature is really a child that's horribly neglected, but with the strength and intelligence to strike back: id without superego, and without restraints.

Thus, "Frankenstein" will be a new experience for readers who know the source exclusively from the films. Unlike "Dracula", there aren't any moments where a reader might look up and suddenly realize how quiet it is in the house, or how dark it's gotten outside. In that regard, "Frankenstein" has not aged particularly well. Throughout, however, it is a moving, disturbing, depressing, but also a touching and beautiful tale. Those qualities have withstood the test of time. While it is not always a rollicking adventure, it is a rewarding read.

93 of 103 people found the following review helpful.
Kindle edition is the 1831 edition, not 1818
By MsE0
I got the free Kindle edition from the link on the page for the Norton Critical Edition of the 1818 text. Mary Shelley made many significant edits to the book for the 1831 edition. I assumed it was the same edition because the link was from the same page. I didn't realize it was different until I went to write my assigned essay and went online to search for page numbers for the passages I wanted to quote. Many of the quotes I wanted to use don't even appear in the original version. This is a very important distinction, and I wish it had been labeled correctly so I would not have had to waste so much time looking for online versions of the correct text in order to replace the quotes I could not use from the later version. This edition is fine if you just want to read the book, but if you're reading it for school, you have more than likely been assigned the 1818 version, which is very different. The Kindle edition is also lacking in any kind of Kindle formatting, making it a hassle to find locations in the book.

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A VISUAL DICTIONARY OF ARCHITECTURE

• Sales Rank: #1189278 in Books
• Published on: 2012
• Original language: English
• Dimensions: .0" h x .0" w x .0" l, 3.17 pounds
• Binding: Paperback

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0 of 0 people found the following review helpful.
Overseas Edition
By Rick
This is an oversees edition book if you look at the picture of the rear cover closely, it says "This edition authorized for sale in the Indian Sub-continent only" This was taped over when I received it, which is what made me suspicious. After going back and zooming in on the picture of the rear cover I saw this. I guess its my fault for not paying closer attention to this and the ISBN. But Maple_Leaf_Books should make this known in the description. They did however tell me they will give me a full refund of charges, I will update once I return it. I have no clue if this book is even close to the american edition or not, there is not even a page in the beginning that tells you a publication or copyright date. It was in great condition though.... A visual Dictionary of Architecture - Second Edition

0 of 0 people found the following review helpful.
Excellent book, a MUST!!! Seller solved my problem.
By Amazon Customer
My drafting teacher at college recommended me this book and it is really excellent, very useful and complete. It is a must for any interior design or architecture student. The item I ordered came with a torn page (the upper corner was missing) and I contacted the seller immediately and told him about the problem. He apologized and give me a credit for 1/2 the price of the book, so he solved the issue. I am very satisfied and would order from him again.

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• Sales Rank: #6168511 in Books
• Published on: 1984
• Binding: Hardcover

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